Production Criticism of Oedipus the King Essay

The directorial concept of the wreak started with an over alone picture of sadness and a suggestion that the story is indeed a tragedy. The stage, as the invertebrate foot of the entire scene, has been knowing to assortediate the levels of society, thus, it has different levels of platforms and steps, alone leaving the content of the stage flattest, where most of the characters ordain be performing. The materials used for the platforms are of different types. The higher steps leading to the outskirts of the stage look like they were take hold with ordinary flat rocks, oft like the ones we see in the disused Jerusalem.The steps were do simply for the purpose of being pathways men bum walk on. Nothing fashionable. The center of the stage has a different design, because I noticed that the root wording is much much modern than the flat rocks close to it. The material of the floor of the center stage has a much smooth-textured quality, although it was carved like bricks, like the ones on the streets of Paris, France. The floor carvings are designed like segmented rings that all leads to one focal point, much like the bytes in a compact disc. The most prominent component divorce of the stage is the palace of Oedipus, the King.It stands so proud with its walls extending all the way to the travel by that it scares you of its command of authority and power. It stood so high and proud that it looked like it reached the field and looks infinite. The material of it was the smoothest of all. It has the most modern design in the stage. The cement has a slate gray color mixed with whiten streaks that suggested it must be made of marblethe strongest among the rocks on stage. Thats how powerful Oedipus, as a king, is. He is believed to be the savior of Thebes when he defeated the Sphinx by tell the most difficult riddle.The play is an obvious non-dramatic pageantry, because the elements of it were present and done in the stage. in that location is an ico n or focal point, which usually is a sacred artifact or a saint. (Theatrical Production, Encyclop? dia Britannica. ). There was a huge put over with a white cloth resting on its arm at the centre of attention of the highest outstkirt platform. This is its focal point because it looks religious profuse to suggest its the grouchy of Jesus Christ. Overall, the environment of the stage is melancholic. The color of the stages floor to the very tall palace is in the neutral shade.Again, nothing special. This incisively suggests the hue of sorrow, which is the shade of gray. The sorrowful environment was coupled with the stage lights, which made the scene look softer and mellower. The lights come from under the outskirts platforms, which gave a lot of hindquarters on the stage. The second light will be coming from straightway above the stage, which gives all little bit of glow on the heads of the characters, but not enough light to brighten the faces of every actor. The poor dism ission made it mat up like the characters are speaking to me personally, in my deepest thoughts.It dawned to me that whenever I am depressed or whenever I wanted to be alone, I tend to hate bright lights. Such is the feeling of someone in wakes, especially those wakes inside chapels. The serene, soothing look of a funeral scene in a chapel is the aimed environment here. The downplay lights on the outskirts of the stage changes as the mood of the scene changes too. Even though the shadow was effective enough to suggest sorrow, the light blue hue of the background defined the mood. When the pitiable truth of Oedipus character was n wee revealed, the background light turned into a reddish hue, as if the sun was setting.It gave a red glow that suggested the wretched feeling of the moment. It also made the blood coming out from Oedipus eyeball look thick and black, which made the suffering grievous enough to die. Sounds make the punks beat rapidly and loses ones breath. From beginn ing until the end, the background music created the feeling that it is tragic. When Tiresius, the seer, showed up, there was annoying background music created by a type of violin, which made it felt like there was great(p) irony and perversity in the scene.The horting sound of the violin made my heart twist and my throat a bit choked because I felt the tension due to the sound. It is interesting though, how the director was able to coordinate all aspects of production to make the playscript equal his directorial concept. Of course, the playscript was changed to make it more dramatic and the words appealing to the audience. The playscript was Bowdlerized, or words were changed to fit the lingo of the modern audience. (Dr. Eric W. Trumbull. ).Although there werent any fancy or colorful props on the stage, the characters are the ones that still mattered the most. Though the faces of the characters more often than not remained stiff throughout, their voices are full of color. Loudnes s and softness of the voices stated the mood. There was also a striking difference on the characters costumes, each has its own different era to represent a group will be wearing costumes of Sophocles generation, another wearing the fashion of the early twentieth century, while another wearing the fashion of the latest trend.Still, the colorize of the costumes were nothing fancier than red, white and gold. The colors of the cloths are in filmy solid colors too. The characters spotlight are their white costumes, or something white in their costumes. For example, the choruses were all dressed in black except the typewriter ribbon on the neck, which is pure white. This gives the picture that their heads are floating and the rest of the eubstance is invisible. The directors aim to present a non-dramatical pageant play that wont bore the modern audience so off the beaten track(predicate) caught my attention.He may have aimed to make the production profit a lot more by involving famo us actors to play the role, as part of his marketing strategy. (Dr. Eric W. Trumbull. ). The production is an art in itself, and Don Taylor wouldve still passed as very good mental representation director. The play is directed gearing outside from the Shakespearean concept of production, which made it quite different to the taste of theatrical fans, and thus, worth watching and recommending.